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The rhythms of nature awaken Connie - daffodils, pheasant chicks - and soon she and Parkin become lovers. Connie's trip to France, with her father and sister, bring the lovers to a nuanced resolution.

Considering the giant steps taken by cinema since the sixties, it's been a long wait for the real Lady C on her way to the big screen.

In 1959, during the Penguin Books/Chatterley obscenity trial, it was infamously asked if this was the kind of book one would wish one's wife or servants to read.

That has always been good for a laugh, if it was only about sex - but it was political.

Such a contrast, made in such visual terms, remains in the air when Sir Clifford (Hippolyte Girardot) jokes about the miners striking every winter, and Connie doesn't laugh.When the gamekeeper Parkin (Jean-Louis Coilloc'h, bearing a remarkable resemblance to Brando in ' Streetcar') reveals to Lady C, his worries about being too sensitive and perhaps too womanly, we hear the author's voice.By adding capitals to every part of the story, the director has made a film that could easily be followed as a silent: ' The House', The Forest', The Cabin', The Miners' But replacing words with action, especially in the sex scenes, allows the intimacy and passion to live on, without the anachronistic wordplay and modes of speech which now distance us from the lovers.The unexpurgated edition did not appear in America until 1959, after one of the most spectacular legal battles in publishing history.With her soft brown hair, lithe figure and big, wondering eyes, Constance Chatterley is possessed of a certain vitality.

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