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Following numerous appearances in the United States and Europe, Tool headed for Australia and New Zealand in late March 1997.

Justin Chancellor, a member of former tourmates Peach, eventually replaced D'Amour, having been chosen over competitors such as Kyuss's Scott Reeder, Filter's Frank Cavanaugh, Pigmy Love Circus's E.

The band enlisted the help of producer David Bottrill, who had produced some of King Crimson's albums, while Jones collaborated with Cam de Leon to create Ænima's Grammy-nominated artwork.

In particular, Ænima's final track "Third Eye" is preceded by a clip of Hicks' performances, and the lenticular casing of the Ænima album packaging as well as the chorus of the title track "Ænema" make reference to a sketch from Hicks's Arizona Bay, in which he contemplates the idea of Los Angeles falling into the Pacific Ocean.

Tool was scheduled to play at the Garden Pavilion in Hollywood but learned at the last minute that the venue belonged to the Church of Scientology, which was perceived as a clash with "the band's ethics about how a person should not follow a belief system that constricts their development as a human being." At the last concert of Lollapalooza in Tool's hometown Los Angeles, comedian Bill Hicks introduced the band.

Hicks had become a friend of the band members and an influence on them after being mentioned in Undertow's liner notes.

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